Riding on the back of the release of Netflix’s latest documentary Fyre: The Greatest Party That Never Happened?,Robyn van Jaarsveldt, Social Media and Brand Manager at Downtown in Business looks at the online Influencer culture and the Fyre Fest marketing campaign that sold out a fraudulent festival in 48 hours and asks, is it not the greatest Campanha de marketing do nosso tempo? O documentário abrange o desastre que foi o festival de Fyre sobrecarregado. O custo dos ingressos variou de US $ 500 a dezenas de milhares de dólares para vagens ecológicas particulares, iates, mansões de praia, comida cozida por chefs de celebridades, os melhores músicos do palco e bem, os modelos mais sexy do mundo em todos os lugares. Os 5000 ingressos para o #FeReFestival inaugural esgotaram em 48 horas. Esse sucesso na indústria do festival é inédito. Tudo foi devido a um marketing fenomenal grande, não, a realidade, um festival que evoluiu para um desastre sombrio, mal planejado e mal executado. Nada do que foi prometido se materializou nem existiu. Mais importante, o objetivo era para os influenciadores e celebridades que haviam contratado, como Bella Hadid e Emily Ratajkowski, para se gabar no Instagram e twittar as fotos de suas férias na praia para suas centenas de milhares de seguidores on -line. A abordagem era natural e autêntica, evitando qualquer formato de publicidade tradicional. Eles venderam o sonho nas mídias sociais, e seus seguidores de confiança compraram nele. O anúncio do festival foi dramático, com cada influenciador postando um ladrilho laranja em seu Instagram, inundando a plataforma. O Fyre Fest teria pago Kendall Jenner $ 250k por este único post no Instagram. Ironicamente, embora fosse o Twitter e o Instagram que fizeram do festival de Fyre o popular feriado dos sonhos, foram as plataformas que também eram a causa de sua morte. Um tweet, um sanduíche de queijo expôs o pesadelo que se desenrolou durante a noite. Vimos o que deveria ser um festival exclusivo de música da ilha privada, com supermodelos e porcos nadadores se transformarem em uma sequência de ação ao vivo das crianças da classe média e alta da América trancadas em um Lords of the Flies encontra o horror dos Jogos Vorazes. A comunidade on -line global, aqueles que estavam em casa com segurança, ativou as vítimas #fyRefraud, se deleitando com seu sofrimento.
Just this week Netflix released its latest documentary “Fyre: The Greatest Party That Never Happened?”. The documentary covers the unfolding disaster that was the over-marketed Fyre Festival.
Hosted by CEO and founder of Fyre Media, Billy McFarland and rapper Ja Rule, the duo attempted to put on a Coachella-style festival on an island in the Bahamas. The cost of the tickets ranged from $500 to tens of thousands of dollars for private eco pods, yachts, beach mansions, food cooked by celebrity chefs, the best musicians on stage and well, the world’s sexiest models everywhere. The 5000 festival tickets for the inaugural #Fyrefestival sold out in 48 hours. Such success in the festival industry is unheard of. It was all due to great, no, phenomenal marketing.
The reality, a festival that evolved into a grim, poorly planned and barely executed disaster. None of what was promised materialised nor existed.
Fyre Media flew films crews, models and digital influencers* to a private island in the Bahamas where the strategy was to produce a promotional video. More importantly, the goal was for the influencers and celebrities who they had hired, such as Bella Hadid and Emily Ratajkowski, to boast on Instagram and tweet the photos of their beach holiday to their hundreds of thousands of online followers. The approach was natural and authentic, avoiding any traditional advertising format. They sold the dream on social media, and their trusting followers bought into it.
Another 250 of the most influential individuals online were hired to push the festival to their communities. The festival announcement was dramatic, with each influencer posting an orange tile on their Instagram, flooding the platform. Fyre Fest reportedly paid Kendall Jenner $250K for this single Instagram post. Ironically, while it was Twitter and Instagram that made the Fyre Fest the popular dream holiday, it was the platforms that were also the cause of its demise. One tweet, a cheese sandwich exposed the nightmare that unfolded throughout the evening.
I reminisce of 1 year ago when we sat in the office, howling as we scrolled through Twitter at the #Fyrefestival memes. We watched what was supposed to be an exclusive, private island music festival with supermodels and swimming pigs turn into a live-action sequence of America’s middle to upper-class children locked in a Lords of the Flies meets The Hunger Games horror. The global online community, those who were safely at home, turned on the #FyreFraud victims, revelling in their suffering.
O que achei mais intrigante no final de todo esse palaver é que quase todo o seu orçamento foi gasto em marketing, publicidade e empurrando sua agenda nas plataformas de mídia social. Todos sabemos que as marcas usam influências e celebridades para endossar seus produtos, levando seus seguidores a acreditar que eles usam o produto e, bem, nós o compramos. O orçamento, a escala, o alcance, as belas celebridades. Milhões e milhões de indivíduos on -line compraram um estilo de vida fictício porque seus ícones lhes disseram. Estou curioso para ver como a narrativa das influências digitais se recuperará desse golpe enorme para a indústria, duvido que isso o machuque. Pixlee
That’s what makes this the greatest marketing campaign of our time; the budget, the scale, the reach, the beautiful celebrities. Millions upon millions of individuals online bought into a fictional lifestyle because their icons told them to. I am curious to see how the narrative of digital influences will recover from this massive blow to the industry, I doubt it will hurt it at all.
* “A Social Media Influencer is a user on social media who has established credibility in a specific industry. A social media influencer has access to a large audience and can persuade others by virtue of their authenticity and reach” – Pixlee